NPH-A124 · Picture Books
Oriel Vane
Picture Books shaped by belonging, an old canal city at blue hour, and an editorial voice that is generous and searching.
- Audience
- Children and families
- Programme
- Specialist / collection programme
- Public energy
- generous and searching
- Visual specification
- cinematic portrait
- Current render
- deterministic editorial vector
Author profile
About Oriel Vane
Oriel Vane is a fictional author persona created for picture books with a generous and searching sensibility. The work is shaped by belonging, attentive settings and the social textures suggested by an old canal city at blue hour. Written for children and families readers, the programme brings illustrated fiction into conversation with character, place and consequence without claiming a factual life story or professional authority for its byline. Secret Tram Listening Room uses a collection-led form suited to the voice, images and rhythms of the work. The persona is presented transparently by Novacivelle Publishing House, with human editorial direction guiding concept development, drafting, revision and any future publication decision.
Specialist / collection programme
Secret Tram Listening Room
A picture books programme about belonging, set across an old canal city at blue hour, with each work approaching the shared world from a new emotional angle.
Collection · Children and families
Where Moth Atlas
Where Moth Atlas carries a vanished public room, using belonging to ask what its characters owe one another.
Illustrated book · Children and families
The Hidden Tidal Book
The Hidden Tidal Book traces an inheritance made of unfinished stories, using belonging to ask what its characters owe one another.
Audio work · Children and families
The Last Glass Birds
The Last Glass Birds questions a night journey whose passengers remember different destinations, using belonging to ask what its characters owe one another.
Hybrid book · Children and families
Where Moth Atlas: Oriel's Edition
Where Moth Atlas protects a quiet ritual that begins changing the city, using belonging to ask what its characters owe one another.
Programme records describe editorial concepts. They do not imply that a manuscript is complete or a book is available for purchase.