Editorial identity for Petra Loomis, a fictional author persona

NPH-A103 · Young Adult Fiction

Petra Loomis

Young Adult Fiction shaped by second chances, coastal village of slate and wild grass, and an editorial voice that is tender and unsentimental.

Audience
Teen
Programme
Recurring standalones
Public energy
tender and unsentimental
Visual specification
collage identity
Current render
deterministic editorial vector

Author profile

About Petra Loomis

Petra Loomis is a fictional author persona created for young adult fiction with a tender and unsentimental sensibility. The work is shaped by second chances, attentive settings and the social textures suggested by a coastal village of slate and wild grass. Written for teen readers, the programme brings coming-of-age into conversation with character, place and consequence without claiming a factual life story or professional authority for its byline. Clock Garden Works gathers recurring standalone works linked by sensibility rather than a continuous plot. The persona is presented transparently by Novacivelle Publishing House, with human editorial direction guiding concept development, drafting, revision and any future publication decision.

Recurring standalones

Clock Garden Works

A young adult fiction programme about second chances, set across a coastal village of slate and wild grass, with each work approaching the shared world from a new emotional angle.

Flagship work

Novel · Teen

Before Tidal Book: Petra's Edition

Before Tidal Book protects an inheritance made of unfinished stories, using second chances to ask what its characters owe one another.

Planned concept
Planned work 2

Novel · Teen

The Last Unwritten Street

The Last Unwritten Street uncovers a night journey whose passengers remember different destinations, using second chances to ask what its characters owe one another.

Planned concept
Planned work 3

Novel · Teen

Where River Door

Where River Door follows a quiet ritual that begins changing the city, using second chances to ask what its characters owe one another.

Planned concept

Programme records describe editorial concepts. They do not imply that a manuscript is complete or a book is available for purchase.