Editorial identity for Tomas Arden, a fictional author persona

NPH-A014 · Science Fiction

Tomas Arden

Science Fiction shaped by listening, tidal marsh beside a walled city, and an editorial voice that is playful with a dark edge.

Audience
Adult
Programme
Series programme
Public energy
playful with a dark edge
Visual specification
environmental photography
Current render
deterministic editorial vector

Author profile

About Tomas Arden

Tomas Arden is a fictional author persona created for science fiction with a playful with a dark edge sensibility. The work is shaped by listening, attentive settings and the social textures suggested by a tidal marsh beside a walled city. Written for adult readers, the programme brings climate fiction into conversation with character, place and consequence without claiming a factual life story or professional authority for its byline. The Quiet Market Lantern Cycle develops that approach across a connected sequence while allowing each volume to hold its own emotional centre. The persona is presented transparently by Novacivelle Publishing House, with human editorial direction guiding concept development, drafting, revision and any future publication decision.

Series programme

The Quiet Market Lantern Cycle

A science fiction programme about listening, set across a tidal marsh beside a walled city, with each work approaching the shared world from a new emotional angle.

Book 1 · Opening

Novel · Adult

A Map of Stone Orchard

A Map of Stone Orchard questions a fragile pact between neighbours, using listening to ask what its characters owe one another.

Planned concept
Book 2 · Deepening

Novel · Adult

Notes from Night Ferry

Notes from Night Ferry protects a map that records choices instead of roads, using listening to ask what its characters owe one another.

Planned concept
Book 3 · Return

Novel · Adult

At the Edge of Green Theatre

At the Edge of Green Theatre uncovers a vanished public room, using listening to ask what its characters owe one another.

Planned concept

Programme records describe editorial concepts. They do not imply that a manuscript is complete or a book is available for purchase.